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The vibe has shifted, and Taylor Swift has retreated from the woods to sulk in her city apartment in the wee small hours of the morning. Her tenth album, Midnights, arrived on Friday, and sounds much different from her previous two albums, folklore and evermore. While those relied on acoustic instruments and barebones production, Midnights shimmers with lush layers of Wurlitzers and digital effects; it’s much more downtempo lounge than cottagecore.
But as ever, Swift laces her lyrics with coded references and brooding poetry, sending her diehard fans scrambling for clues about her romances, legal battles, and general state of mind. While there are several lyrical stand-outs on the record—including “Anti-Hero” and “Karma&rd…
Among filmmakers, Nicole Holofcener is the great poet of microannoyances. She’s attuned to those little things that bother you about people, aggravations so splinterlike you can’t quite explain why they bug you so much. She also understands that the best qualities of humans often dovetail with the very things that drive you crazy about them, even—or maybe especially—within a marriage. That idea is the foundation of Holofcener’s You Hurt My Feelings, which made its premiere at the Sundance Film Festival, a movie about neurotic New Yorkers—is there any other kind?—just trying to get along with one another, even when they’re barely speaking to each other. It’s the sort of prickly, sweet-and-sour little comedy for and about adul…
Even before the historic game between the Philadelphia Eagles and the Kansas City Chiefs was settled, the true winner of Super Bowl LVII was Rihanna, who made her triumphant return to live performance on the biggest of stages: the Halftime Show. While her epic performance more than delivered the show-stopping celebration of her many hits that her fans had anticipated, it was also filled with plenty of surprises—including choreography from her frequent collaborator Parris Goebel, a cheeky Fenty product placement, and a well-placed belly rub that set the Internet ablaze with pregnancy speculations, as well as criticism that so much focus shifted from her musical return to the status of her postpartum body. Following the performance, the Hollywood Reporter reported that Rihann…
Born Pink, the sophomore album from Blackpink, glitters with all the beguiling elements that made the quartet the biggest girl group in the world. Lisa, Jisoo, Jennie, and Rosé’s sweet, two-faced “black” and “pink” duality, door-busting attitude, and fierce independence are all accounted for, and their immense charm remains undiminished. But the thrilling novelty has worn off. As Blackpink has become more of a brand than a band, their musical evolution has stalled. Born Pink delivers the same tried-and-true Blackpink sound that has cemented their success. That consistency will delight some and bore others. Whichever camp you fall into, the bottom line is that Born Pink fails to unlock new dimensions of musical development and dep…